Every so often I am floored by the attention and adoration being heaped on Supergirl these days. As someone who suffered decades as a fan of the Maid of Might, I am surprised and thrilled to see that she is seemingly everywhere.
What is even more insane is that we aren't only seeing a TV-like Kara. There is merchandise and comics and now video games of all sorts of incarnations of Kara. One I was not expecting to see again was her Red Lantern form.
Now I don't play video games so I won't be able to interact with this personally. But the screen shots and scenes look like a ton of fun. And the Red Lantern Supergirl seems to stand in stark contrast to the 'Cheerleader Supergirl' character who was just in the Cosmic Clash Lego movie.
So even within Lego there seems to be versions of Supergirl!
I continue my review of Supergirl and the Legion of Super-Heroes series by Mark Waid and Barry Kitson over on the Legion of Super-Bloggers site. This week I cover Supergirl and the Legion #28. Here is the link.
This issue ramps up the Dominator war very nicely. It always seems darkest before the dawn. The bulk of this issue shows just how terrible things are for Earth, the Legion, and the Wanderers. The team is in dire straits. And the cover shows that nicely with Supergirl looking somewhat fearfully at the drooling face of a Dominator soldier. Kara has been pretty unstoppable in this book. So this cover shows the level of the threat.
As I said, the bulk of the issue is showing how the Legion seems completely outmatched against the Dominator threat.
But it ends on a nice high note with the Legion's secret plans to turn the tables coming to fruition. Waid knows how to end a book on a positive cliffhanger.
Action Comics #962 came out this week and brought the Doomsday storyline to a sort of close. It isn't really a finale and more like a pause. And I am okay with that. This is the beginning of the Rebirth era. This is the first arc of many that will build up the Mr. Oz character and plan. And we as readers are still getting acclimated to this Superman being part of this DCU.
Bringing Doomsday into the opening arc was something of a risk. If you start out there, where do you go? And certainly writer Dan Jurgens has played up the threat of Doomsday nicely. The heroes have barely been able to contain him here. So I was worried that the ending might be too pat. As we'll see there is a sort of deus ex machina ... or at least a machina ... which helps speed things along.
But Doomsday is a plot device, not a character. The real enemy here is Oz. And we still don't know much about him. I know we are only a month into Rebirth but I keep hoping for some more clues. Throw me a bone!
Stephen Segovia is on art here and does a good job with the proceedings. He seems to be a nice halfway point between Pat Zircher and Tyler Kirkham. He is almost perfect in that manner in that he bridges the other issues in a way that will make this artistically fluid when this arc is read in one sitting.
Hello and welcome back to another installation of my Boston Comic Con 2016 review.
I really consider myself lucky to have been able to grab a commission by Tana Ford at this year's con. And I am not surprised that it is this fantastic. I have always been enamored of Ford's style and this picture of Supergirl is resplendent.
From the 'ready for action' pose, to the 'bring it on' expression, to the flying amidst the clouds, this whole thing is mesmerizing. The full color palate really adds so much depth to the piece as well. I am really just floored by this piece.
This truly is one of those times where a little bit of leg work on my part pre-con paid off. (I talked about commission planning here.) I had tweeted out to Ford before the con which put me in touch with her handler Geoff Mart. It let me know how Ford takes her list and her prices. Armed with such knowledge, I made sure to head to her table early on in the con. Thankfully, it all worked out.
I'm just thrilled with the piece.
Ford was super nice and great to chat with as well. I love the Silk comic as it reminds me of the earliest Spider-Man stories. Cindy is really trying to balance all the aspects of her life while dealing with the utter isolation she suffered early in on.
What I love about her art in the book is that Ford is able to shine in all the areas of the plot. So I love the action sequences. There is something fascinating about Silk's webs. She has a sort of 'gangly' feel like Ditko Spider-Man. And you feel Cindy's determination in the fighting.
But there is also a softness in the quiet personal moments we see in the book. Ford's expressive work on the characters lends so much to the mood of the scene. I just love it.
Again, thanks to Tana Ford for the commission. It is a great addition to my collection.
A lot of people have been telling me good things about the Legends of Tomorrow mega-book that DC publishes. While I have some minor interest in a couple of the stars and creators, none of them had enough of a draw to rope me into the hefty $7.99 price point. So I figured I would wait and see if miraculously they ended up in the cheap bins.
However, when Legends of Tomorrow #6 came out last week, my social media feed lit up a bit. The Sugar and Spike story guest starred both Supergirl (in her Silver Age incarnation) and the Legion (in multiple incarnations). The sample panels by writer Keith Giffen and artist Bilquis Evely really seemed to hit the sweet spot of fun and nostalgia and so I couldn't resist.
I'll only review the Sugar and Spike tale given the focus of this blog but on reading the other entries, I have to say Firestorm and Metal Men (with a classic Tinny save at the end) read well and might be enough to entice me to grab them all should the books go on sale.
But the Sugar and Spike story is near perfection for me. As an old reader who has been through multiple versions of my favorite characters, it was great to see a writer have some fun with all the continuity bugaboos that now exist. I shouldn't be surprised that Giffen wrote this. For one, he has been a creator on any number of Legion incarnations. But also, his (and JM Dematteis') JLA 3001 as well as his Doom Patrol book showed that Giffen can both acknowledge that all the incarnations are viable (even when that simply cannot be so) so long as the reader sits back and enjoys the great stories. His Silver Age Supergirl in JLA 3001 was a high point for me and her character in this story echoes that no-nonsense, oddly mature Kara we saw there.
Bilquis Evely is also a huge star in this book. I loved Evely's work on DC Bombshells. But here she shows that she can handle all the ephemera and minutiae that Giffen can throw at her. Supergirl is stunning. But the Legion ... well they are the icing on the cake here.
In some ways, it is a great time to be a comic fan as there seems to be an explosion of creativity these days. And, in particular, as a DC fan, things are pretty optimistic. DC Rebirth has been a wonderful re-imagining of the DC universe. The tone and plots of the books that I have been reading have all been entertaining and creative.
Sales bear out this swell of good will to DC. They had 8 of the top 10 books. All sold over 100K. Buzz has, for the most part, been possible.
But I have to look back. Sales may have looked like this in the first month of the New 52. One thing I can tell you, without a doubt, these early books read better than the earliest New 52. I am pretty happy.
Superman #5 came out last week, the latest chapter in the Eradicator storyline which straddles science fiction and metaphysical plot elements. The new Eradicator is a warehouse not only for Kryptonian culture but also Kryptonian life forces (or souls). And that element is troubling me as a reader.
I can't think of many super-hero stories which are able to easily meld religion and science fiction. (Alan Moore's Swamp Thing and Peter David's Supergirl come to mind as good examples.) A story has to be pretty stellar for it to work for me and so I am mulling over this new Eradicator in my mind. Does his new function work for me?
If I am able to move past that plot point, story tellers Peter Tomasi and Patrick Gleason continue to give us a wonderful Superman family. Clark is trying his best to protect the world and his wife and son. Jon is being asked to grow up pretty quickly in terms of using his powers and being a hero. And Lois continues to show why she is one of the strongest characters in the DCU. My one quibble is that, like Action Comics, this issue is almost completely a brawl with just a smidge of plot progression. I don't mind action ... but I want more.
The art on the issue is done by Doug Mahnke. I love Mahnke's style and he brings a sort of otherworldly feel to the Eradicator and the souls within. There does seem to be some softening of his work in places which jibes better with the Gleason style in earlier issues.